Susan Crile

Paintings & Drawings Exhibitions Resume & Bio Contact News & Publications


 SUSAN CRILE

168 West 86th Street

New York, New York  10024

212-580-3753

scrile@gmail.com

 

Born:                 Cleveland, Ohio, 1942

                          Lives and works in New York City

 

EDUCATION

 

1971‑72             Hunter College, New York, NY

1965                  Bennington College, Bennington, VT, B.A.

 

GRANTS AND AWARDS

 

2007                  Bellogio Study and Conference Center, Rockefeller Foundation Residency Grant, Bellagio, Italy

1990                  Residence in Painting, American Academy in Rome

1989‑90             National Endowment for the Arts Fellowship in Drawing

1982                  National Endowment for the Arts Fellowship

1975,1978         Yaddo, Sarasota Springs, NY

1972                  Ingram Merrill Foundation Grant

                          MacDowell Colony, Peterborough, NH

1970, 1971        Yaddo, Sarasota Springs, NY

 

 

MUSEUM COLLECTIONS

 


Albright‑Knox Art Gallery, Buffalo, NY

Asheville Art Museum, Asheville NC

Arizona State University Art Museum, Tempe, AZ

Bowdoin College Museum of Art, Brunswick, ME

The Brooklyn Museum, Brooklyn, NY

Carnegie Institute Museum of Art, Pittsburgh, PA

Cleveland Museum of Art, Cleveland, OH

Denver Art Museum, Denver, CO

Everson Museum, Syracuse, NY

Farnsworth Museum, Rockland, MA

Grey Art Gallery and Study Center, New York, NY

Solomon R. Guggenheim Museum, New York, NY

Hirshhorn Museum and Sculpture Garden,  Washington, DC

Library of Congress, Washington, DC

Metropolitan Museum of Art, New York, NY

Middlebury College Museum of Art, Middlebury, VT

Mount Holyoke College Art Museum,

 South Hadley, MA

Orlando Museum of Art, Orlando FL

The Phillips Collection, Washington, DC

Portland Museum, Portland, ME

University Art Museum, CSULB, Long Beach, CA

University of Maine, Museum of Art, Bangor, MA

Weatherspoon Art Gallery, Greensboro, NC


 

 

 

TEACHING POSITIONS

 

1983‑ present     Hunter College, CUNY, New York, NY

                          Professor since 1996           

1983‑86             Barnard College, New York, NY

1980                  Graduate Program, University of Pennsylvania, Philadelphia, PA

1976‑82             School of Visual Arts, New York, NY

1976‑79             Sarah Lawrence College, Bronxville, NY

1973‑76             Princeton University,, Princeton , NJ

1972‑76             Fordham University at Lincoln Center, New York,NY

 

ORGANIZATIONS

 

2004- present   Philoctetes Center: The Multidisciplinary Study of Imagination,  (Advisory     Board), New York, NY

Admissions Panel for the Visual Arts, Ranieri Foundation at Civitella, Italy

2003                  Admissions Panel for the Visual Arts, The American Academy in Rome,

                          New York, NY

1998-present      New York Institute for The Humanities, New, York, NY

1991 - 2004       Yaddo, Board of Directors, Saratoga Springs, NY

1987                  National Endowment for the Arts: Visual Arts Panel, painting

National Endowment for the Arts: Overview Policy Panel for the Visual Arts

1985-present      Yaddo, Member of the Corporation, Saratoga Springs, NY

1981                  Representative to Hungary and Portugal for the United States   International Communications Agency, accompanying exhibition ÒAmerican Painting: The Eighties, A Critical InterpretationÓ

1979-81             Board of Trustees, Bennington College, Bennington, VT

 

 

SOLO MUSEUM EXHIBITION

  

2007                  öAbu Ghraib: Abuso di Potere:  Museo di Roma in Trastever, Rome, Italy.

                          Abu Ghraib: Abuso di Potere;  Museo di Palazzo Mocenigo, Venice, Italy

 

2006                  Abu Ghraib, the Abuse of Power, The Bertha and Karl Leubsdorf art Gallery at Hunter  College, NY 

ö

 

2003                           Hot Art:  SUSAN CRILE, The Fires of War, The University of Arizona Museum of

                          Art, Tucson, AZ. 

 

1996                  The Fires of War, National Council for Culture, Art and Letters, Kuwait City, Kuwait

                           

1995                  The Fires of War, The Herbert Johnson Museum, Cornell University, Ithaca, NY

                          The Fires of War, Middlebury College Museum of Art, Middlebury, VT

                         

1994                  The Fires of War, Saint Louis Art Museum, St. Louis, MO

The Fires of War, Blaffer Gallery, The University of Houston, Houston, TX

The Fires of War, University Art Museum, California State University, Long   Beach, CA

 

1984                  Cleveland Center for Contemporary Art, Cleveland, OH

 

1975                  The Phillips Collection, Washington, D.C.

 

 

SOLO EXHIBITIONS

 

2009                  Susan Crile, Project Room, Michael Steinberg Fine Art, New York, NY

 

2006                  Susan Crile, Recent History, Michael Steinberg Fine Art, New York, NY

 

2004                  JG | Contemporary / James Graham & Sons, NY

 

2001                  James Graham &  Sons, New York, NY

 

1998                  James Graham &  Sons, New York, NY

 

1995                  James Graham &  Sons, New York, NY

                          The Fires of War, The Federal Reserve Board, Washington D.C.

 

1994                  Harvard University Graduate School of Design, Cambridge, MA

                          in conjunction with The Boston Philharmonic Orchestra

                          Harcus Gallery, Boston, MA

 

1990                  Graham Modern, New York, NY

 

1988                  Gloria Luria Gallery, Bay Harbor Island, FL

                          Graham Modern, New York, NY

                          Ivory Kimpton Gallery, San Francisco, CA

1987                  Gloria Luria Gallery, Bay Harbor Islands, FL

                          Graham Modern, New York, NY

 

1986                  Adams‑Middleton Gallery, Dallas, TX

 

1985                  Graham Modern, New York, NY

 

1984                  Nina Freudenheim Gallery, Buffalo, NY

                          Ivory Kimpton Gallery, San Francisco, CA

 

1983                  Van Straaten Gallery, Chicago, IL

                          Lincoln Center Gallery, New York, NY

 

1982                  Janie C. Lee Gallery, Houston, TX

                          Mattingly/Baker, Dallas, TX

                          Carson‑Sapiro, Denver, CO

 

1981                  Ivory Kimpton Gallery, San Francisco, CA

 

1980                  Droll‑Kolbert Gallery, New York, NY

 

1978                  Center Gallery, Bucknell University, Lewisburg, PA

                          Droll‑Kolbert Gallery, New York, NY

 

1977                  Fischbach Gallery, New York, NY      

                          The New Gallery, Cleveland, OH

 

1975                  Brooke Alexander Gallery, New York, NY       

                          Fischbach Gallery, New York, NY

 

1974                  Fischbach Gallery, New York, NY                   

 

1973                  Kornblee Gallery, New York, NY

 

1972                  Kornblee Gallery, New York, NY

 

 1971                 Kornblee Gallery, New York, NY

 

 

SELECTED GROUP EXHIBITION

 

2011                  Esteban Vicente: Portrait of the Artiat: Parrish Art Museum, Southampton, NY 

 

2010                  Pieces of 9:  Reframing the collection, University Art Museum CSLUB, Long Beach CA,

Real and Abstract: Contemporary Art from the Farnsworth,  The Farnsworht Museum, Rockland, ME

The Art of Captivity, joint exhibition Fordham University and SEFA gallery, NYC, NY

 

2009                Trouble in Paradise: Examining Discord Between Nature and Society:  Tuscon      Museum of Art,     

                          Tuscon, AZ

 

 

2008                  War As a Way of Life: 18th Street Arts Center, Santa Monica, CA

to:Night: öHunter College Art Galleries,

                          Hunter College, CUNY.  New York, NY

  Inddependent Visions/ Feminist Perspectivies, Mishkin Gallery, Baruch     College, CUNY, NY

Cryptoroeal: Art And Myth, Francis Lewis Gallery at St. GeorgeÕs Church, Queens, NY

                         

2007                  Feel the Love; MOCA, Cleveland Ohio

                          Accidental Real, Sarah Tecchia Raoma, New York, New York, NY

  The Art of Giving, icollection of Jau & Jean Kislak, The Cleveland Cliniic Art        Program,

                          Cleveland, Ohio

The DeanÕs Gallery: Selections from the Collection, MIT List Visual Arts Center, Cambridge , MA

 

2005                  ÒDrawn to ClevelandÓ, MOCA, Cleveland, OH

                          ÒThe Art of the ScreenprintÓ, Detroit Institute of Art, Detroit, MI

 

2004                  ÒImages of Time and Place: Contemporary Views of Landscape, Lehman College Art Gallery, Lehman College,CUNY, Bronx, NY & Wayne State University, Detroit, MI

                          ÒPolytechnicÓ, Michael Steinberg Fine Art, New York, NY

 

2002                                                                                                                                    Ò177th Annual Exhibition,Ó The National Academy of Design, New York,

                          NY

ÒSharkÕs Ink, 1976-2001, a 25 Year Retrospective,Ó Gallery of   Contemporary Art,

                          University of Colorado Springs, CO

ÒStewart & Stewart Works on Paper,Ó Smith Andersen Editions, Palo Alto, CA

ÒFaculty Small Works Show,Ó The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY

 

2001                  ÒWhen this you see remember meÉPrints by Contemporary Women Artists from the Collection,Ó University of Arizona Museum of Art, Tempe, AZ

 

2000                                                              ÒFriendships in Arcadia: Writer and Artists at Yaddo in the 90s,Ó Art in General, New York, NY and The Hyde Collection, Glen Falls, NY

                          ÒSmall Works,Ó Nina Freudeenheim Gallery, Buffalo, NY

ÒHunter College Faculty Exhibition,Ó Times Square Gallery, New York, NY

ÒStewart & Stewart Printer/ Publisher of fine PrintsÓ, Madonna University, Livonia, MI

 

1999                  ÒInvitational Exhibition of Painting and Sculpture,Ó American Academy of Arts and

                          Letters, New York, NY

 

1998                  ÒOil Patch Dreams: Images of the Petroleum Industry,Ó ArtMuseum of Southeast Texas, Beaumont, TX;  Art Museum of South Texas, Corpus Christi, TX; Museum  of the Southwest, Midland, TX; El Paso Museum Museum of Art, El Paso, TX; Wichita Falls Museum and Art Center, Wichita Falls, TX (catalogue)

 

1997                  ÒAbstraction Index,Ó Condeso/Lawler Gallery, New York

                       

1995                  ÒAmerican Art Today: Night Paintings,Ó The Art Museum at Florida International, University, Miami, FL

 

1994                  Ò46th Annual Academy Purchase Exhibition,Ó American Academy of Arts and Letters, New York, NY

 

1993                  ÒFirst Sightings: Recent Modern and Contemporary Acquisitions,Ó The Denver Art

                          Museum, Denver, CO

                          Ò25 Years,Ó The Cleveland Center for Contemporary Art, Cleveland, OH

                          Ò100 Years Anniversary,Ó The Denver Art Museum, Denver, CO

 

1992                  ÒAbstract Painting: The 90Õs,Ó curated by Barbara Rose, Andre Emmerich

                          Gallery, New York, NY

ÒOne Press Multiple Impressions: Vinal Haven at Bowdoin, Bowdoin  College

                          Museum of Art, Brunswick, ME

ÒThe Depicted Unknown,Ó The William Procter Art Gallery, Bard College,

                          Annandale-on-Hundson, New York, NY

 

1991                  ÒCollaboration in Print.: Stewart and Stewart Prints: 1980‑1990Ó,

                          Traveling exhibition: Detroit Institute of Art, Detroit, MI; Cleveland

Museum of Art, Extension Division, Lakewood, OH; The Nelson‑Atkins   Museum of Art, Kansas City, MO; among others.

                          ÒBlack and White,Ó Nina Freudenheim Gallery, Buffalo, NY

 

1990                  ÒArtists for Amnesty,Ó Blum Helman Gallery, New York, NY                  

                          ÒThe 1980's ‑ Prints from the Joshua P. Smith Collection,Ó The National

                          Gallery of Art, Washington, D.C.

                          ÒBeijing/New York: Works on Paper,Ó Neilsen Gallery, Boston, MA

                          Ò50 years of Collecting Art At IBM,Ó IBM Gallery of Science and Art,

                          New York, NY

ÒVinal Haven: the First Five Years,Ó Museum of Art, Bates College, Lewiston, Me

                         

1987                  "The Art of Music", The Bronx Museum of Art and Krasdale Foods, Inc., 

New York, NY exhibition curated by Marsha Clark, under the auspices of the Hudson River Museum, New York

 

1986                  "Abstraction: New Points of View", Norma Haime Gallery, New York

"After Matisse", exhibition organized by Independent Curators Inc., traveled to: Queens Museum, New York; Chrysler Museum, Norfolk, VA; Portland Museum  of Art, Portland, ME; Bass Museum, Miami, Fl; Phillips Collection, Washington,

D.C., Danforth Art Institute, Danforth, OH; Worcester Art Museum, Worcester, MA.

                          "Monumental Space Variations", One Penn Plaza, New York, NY

"70's into 80's: Printmaking Now", Boston Museum of Fine Arts, Boston, MA

                          "Art from the City University of New York: Approaches to Abstraction,Ó

                          The Shanghai Exhibition Center, Shanghai, China                                    

                          "Vinalhaven Press: 1984‑1986", Portland, ME

 

1985                  "Large Drawings", Exhibition organized by Independent Curators, Inc., traveling to: Bass Museum, Miami Beach, FL; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman McKenzie Art Gallery, Universityof Regina,Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Alaska; Santa Barbara Museum of Art, Santa Barbara, CA; Madison Art Center, Madison, WI

"American Art Now! Paintings in the 1980s", Columbus Museum of Arts and Sciences, Columbus, GE

"Bud Shark Limited, Contemporary Prints", University Art Galleries, Wright

                          State University, Dayton, OH 

                          "Messages of  '85", Light Gallery, New York, NY

"A Decade of Visual Arts at Princeton: Faculty 1975‑1985", The Art Museum,

                          Princeton University, Princeton, NJ

                          "Large Drawings", Independent Curators, New York, NY

"Aerial Perception: The Earth as Seen from Aircraft and Spacecraft and its Influence

                          on Contemporary Art", Philadelphia Art Alliance, Philadelphia, PA

"Tamarind 25th Anniversary Exhibition", Assoc. American Artists, Buffalo, NY     

 

1984                  "Works on Paper", Weatherspoon Gallery, Greensboro, NC

                          "Contemporary Triptychs", Edith C. Blum Art Institute, Bard College,      Annandale‑on‑Hudson, New York

                          "Luxe Calme et Volupte: Nine Abstract Artists and their Use of Color",

                          Contemporary Art at One Penn Plaza, New York, NY

"Collector's Choice, 1984", Marion Koogler McNay Art Museum, San Antonio, TX

"Large Drawings," organized by Independent Curators, traveled to five museums in Canada and the USA

 

1983                  "Exceptions: Six Artists", Pratt Institute Gallery, Brooklyn, NY

Ò22nd National Print Exhibition,Ó Institute of Contemporary Art, University

                          of Pennsylvania, Philadelphia

"The American Artist as Printmaker", The Brooklyn Museum, Brooklyn, NY

 

1982                  ÒNon‑Objective Art‑ Six Artists,Ó Decker Gallery, College of Art, Baltimore, MD

                          "Block Prints", Whitney Museum of American Art, New York, NY

 

1981                "Geometric Abstraction: A New Generation,Ó Institute of Contemporary Art,  Boston, MA                

ÒRecent Acquisitions: Prints, Drawings, and Photographs,Ó Museum of Art, Carnegie Institute, Pittsburgh, PA        

                          "22nd National Print Exhibition,Ó The Brooklyn Museum,

                          Brooklyn, NY

 

 

1980                   ÒContemporary Drawings and Watercolors,ÓMemorial ArGallery,University of Rochester, Rochester, NY

"American Drawing in Black and White: 1970‑1980", The Brooklyn Museum, Brooklyn, NY

 

1979                  "A Great Big Drawing Show", Institute of Art and Urban Resources, P.S.1, Long  Island City, NY

"Print Publishing in America", organized by USIA, traveled to Egypt, Israel, France

"American Painting: The Eighties, A Critical Interpretation," Grey Art Gallery and Study Center, New York University, and traveled to Texas, France, Finland, West Germany, Austria, Israel, Hungary, Portugal

                          "The New American Painting I", Janie C. Lee Gallery, Houston, TX

                          "American Painting Today", Gloria Luria Gallery, FL

 

1978                "Brooke Alexander, A Decade of Print Publishing", Boston University Art

                          Gallery, Boston, MA

 

1977                  ÒCritics Choice,Ó Lowe Art Gallery, Syracuse, NY and Munson- Williams Proctor  of Art, Utica, NY         

                          "MacDowell Colony Artists", James Yu Gallery, New York, NY

 

1975                  Princeton University Art Museum, Princeton, NJ

                          "Works on Paper", Virginia Museum of Fine Art, Richmond, VA

"Hand‑Colored Prints", organized by Brooke Alexander, Inc., circulated by Comprehensive Exhibition Services, Los Angeles, CA to 12 museums

                          throughout the US and Canada

 

1974                  "Painting and Sculpture Today", Contemporary Arts Society, and the Indianapolis   

                          Museum of Art, Indianapolis, IN

 

1973                  "The Way of Color", 33rd Biennial Exhibition of Contemporary American

                          Painting, Corcoran Gallery of Art, Washington, D.C.

 

1972                  "Whitney Annual", Whitney Museum of American Art, New York                

                          Contemporary Art Society, Indianapolis Museum of Art, 

1972                  "Painting and Sculpture Today", Indianapolis, IN

"Annual Invitational: Focus on Women", Kent State University, Kent, OH 

 "The Art Institute of Chicago Annual", The Art Institute of Chicago, Chicago, IL

                          "Unmanly Art", Suffolk Museum, Stony Brook, NY

 

 

 

 

SUSAN CRILE

BIBLIOGRAPHY

 

 

2011                Ireland, Julia, This Fragile Body: Susan CrileÕs ÒAbu Ghraib: Abuse of PowerÓ

  Torture and the Body,." University of Washington Press. Edited by Shampa Biswas and Zahi Zalloua  (pub date 2011)

  Reviista Locutoria, Publicacion cuatrimestral, Marzo 2011, published in Mexico, Argentina, Venezuela, pp 15,16, 23, 24, 35, 36.

 Sharma, Devika, Pictures of the American Prison: Art, Culture and Imprisonment in Contemporary America (translated from Danish). Tiderne Skifter press,

Copenhagen, Denmark, Crile cover and Chapter 3.

Concrete Improvisations:  Collages and Sculpture ESTEBAB VICENTE,  Interview with Susan Crile by Edward J. Sullivan, Grey Art Gallery, New York University, pp 110-114.

2010                Tamarind Touchstones: Fabulous at Fifty:  Univesrsity Art Museum, University of New Mexico, University New Mexico Press,  

                        The Art of Captivity: Part Two, Susan Eley Fine Art, NYC, catalogue

 

2009                KULT-URO; Tids-Skrift for Moderne kultur, pp 13 & 44 Copenhagen, Denmark, 2009

                          Butler, Judith; FRAMES OF WAR: When Is life Grievable?, Verso press, CRILE  cover.

 

                       

2008                Moreno, Julia, to:Night:Contemporary Representations of the Night,   Hunter College Art Galleries, p111 & plate #XXXIX

                        Nefedova, Olga, -A Journey to the World of the Ottomans: The Art of Jean-Baptiste Vamour SKIRA, Milan , Itlay.   PP

                        Interview: Mette Olsen with Devika Sharma, Politiken, (Crile image),  Copenhagen, Denmark, Friday, 21 November, 2008       

 

 

2007                Sharma, Devika, Torturtegninger: Susan CrileÕs manovrer med mennesker   Kritic , Nr. 183  

                          April 2007, Copenhagen, Denmark

Bignardi, Irene, Loss of Innocence,  Italian catalogue for  Abu Ghraib:Abuso di Potere,

                          Gangemi Editore, Rome, Italy.

Book Cover for  Exceptional State: Contemporary U.S.. Culture and the New Imperialism,  editorsAshley   Dawson and Malini johar schueller,   Duke University Press, Durham & London

Maestosi, Danilo, I Fantasmi della Tortura nei Quadri di Susan Crile: Il Messaggero

July 15,2007

Papaccio, Chiara, Iraq, arte che fa riflettere.  Epolis Roma                             June 27, 2007

De Sanctis,. Francesca, Abu Ghraib,, abuso di potere; LÕUnita Roma , June 27, 2007

Brogi, Paolo, Tortura, Abusi e umiliazioni ad Abu Ghraib nelle opere dellÕartista Susan Crile:

Corriere Della Sera , Roma, June 24, 2007

Zenobio, Marina, Abu Ghraib, ventinove mmagini fra rabbia e orrore; Il Manifesto, June 29, 2007

 

2006                  Scott, Andrea K.,  ÒSusan CrileÓ. The New York Times,, p. E 36

Hayden-uest, Anthony, ÒWar and PaintÓ, Financial Times, London, England

                          Bischoff, Dan, ÒImages from Abu GhraibÓ, Star-Ledger, Newark NJ

                          O The Oprrah Magazine, October 2006, ÒDrawn from MemoryÓ, p.78

                          HarpterÕs Magazine, February  2006, 5 images. pp 39-46.

                          Danner, Mark: Bodies Under Stress: , catalogue, Abu Ghraib, Abuse of Power,,

                          The Bertha and Karl Leubsdorf art Gallery at Hunter  College, NY 

 

2005                  ÒDrawn from ClevelandÓ ( Catalogue), MOCA, Cleveland, OH

                          ÒCollaboration in Print, Stewart & Stewart Screenprints 25th Anniversary,

                          Catalogue for the Detroit Museum of Art, pps. 22-25.

 

2004                Sundell, Nina, ÒImages of Time and Place: contemporary Views of landscapeÓ, Lehman college art Gallery, Bronx, NY

 

2003                Hughes, Betsy, ÒHot Art: Susan Crile, The Fires of WarÓ ( Catalogue), The university of Arizona Art Museum, Tucson, AZ

  Rabinowitz, Jenny, ÒThe Bombs Burning GlareÓ (Interview), The Bear Deluxe #20,

                          p. 21-22.

 

2002                           HarperÕs Magazine, (cover). September 2000

National Academy of Design,  the 177th Annual, catalogue, National Academy of Design, New York, page 23.

                          Parnasus, (reproductions), Issue No. 2, 2001, published Fall 2002

Byrne, Chris, The Original Print, Understanding Technique in Contemporary

                          Fine printmaking, Guild Publishing, Madison, WN, pages 104-105

                          Lapham, Louis, Theater of War, (cover), New Press, NY,

 

2001                  THE NATIONAL ENDOWMENT FOR THE ARTS Visual ArtistsÕ Fellowship

                        Program 1966-95, Abrams, Inc., Publishers in association with National Endowment for the Arts.  2001.    pp. 21, 52, 146, 153.

 

2000                  Cheever, Susan, ÒFriendships in Arcadia: Writers and Artists at Yaddo in the 90s,Ó

                          The Corporation of Yaddo, p. 16-17.

 

1999                           Goodman, Jonathan, ÒSusan Crile at James Graham & Sons,Ó Art in America, July, pp. 98-99, illustrated

                         

1998                  Johnson, Ken, ÒSusan Crile,Ó The New York Times, 27 November

                          Newhall, Edith, ÒTalent,Ó New York Magazine, 30 November

                          Carraro, Francine. Oil Patch Dreams: Images of the Petroleum Industry in

American Art, Art Museum of Southeast Texas, catalogue, page 39, plate 10.

 

1997                  Feliciano, Kristina. ÒInspiring Artists: Susan Crile,Ó American Artist, January, illustrated

 

1995                  Stevens, Mark. ÒSusan Crile,Ó New York Magazine, 17 April

                          Newhall, Edith.  ÒThe Fire This Time,Ó New York Magazine, 10 April

 

1994                  Kalil, Susan. ÒArt of Darkness.Ó Houston Press, 7-13 January, p.  33.

                          Shepley, Carol Ferring. ÒThe Fires of Hell,Ó St. Louis Post-Dispatch,

                          24 April, pp. 4,13.

  McGee, Celia. ÒWhen Horror Meets Beauty.Ó The New York Times, 24      April,

                          Arts and Leisure, Sec. 2, p.35.

  Bellos, Alexandra. ÒOil Painting.Ó The Riverfront Times, 27 April - 3 May,

                          pp. 72-73.

                          Chadwick, Susan. ÒArtist Zeroes in on War.Ó Houston Post. 5 June,

                          Lifestyle Section.

                          Carter, Sharon. ÒPaintings Show WarÕs Horrors.Ó Houston Chronicle,

                          11 June, pp. 1,3,4.

Johnson, Patricia. ÒThe Fires of WarÓ, The Houston Chronicle, 18 June, pp. 1,4E.

                          Frank, Elizabeth. ÒSusan CrileÕs ÔThe Fires of WarÕÓ, Art News, October,

                          pp. 131-132.

Colpitt, Frances. ÒSusan Crile at the Blaffer Gallery, University of Houston,Ó

                          Art in America, October, p. 103.

                          Anderson-Spivy, Alexandra. ÒGreen AmnesiaÓ, Argonaut, pp. 235-239.

Brunskill, Joan. ÒPainter Finds Beauty in Horror of Oil Fires,Ó Associated Press (datestream) 11 November

Temin, Christine. ÒArt from the Field of Fire,Ó The Boston Globe 18 November

Strick, Jeremy. ÒSusan Crile: The Fires of War,Ó St. Louis Art Museum MO, April.

Development and the Arts Franklin, Margery B. & Kaplan, Eds. Lawrence Erlbaum Associates, Publ., Hillsdale, NJ, Hove UK 1994 p. 165-191

Wilson, William. ÒThree Doses of Reality, Magic and Oddities,Ó The Los Angeles Times, 27 August p. F10

 

1993                  25 Years: A Retrospective, Cleveland Cent. for Contemporary Art, Cleveland, OH

 

1992                Becker, David P.  Vinalhaven at Bowdoin: One Press, Multiple Impressions, Bowdoin College, Museum of Art, Brunswick, ME.

 

1991                  Cotter, Holland. "Susan Crile at Graham Modern", Art in America, January, p.131.

Santlofer, Jonathan. ÒFields of FireÓ, (Vasari Diary), Art News, November, p.26.

 

 

1990                  "Susan Crile, Palio." The Print Collector's Newsletter, Volume XX, No. 6,

                          Januarty/February.

             Mahoney, Robert. "Susan Crile", Arts, September, p.101.

                          Pardee, Hearne. "Susan Crile", Artnews, October.

                          Cohen, Ronny. "Susan Crile", Artforum, October.

                          Langer, Sandra. "Susan Crile Review", Women Artist News, fall.

Zanatta, Joseph E. Contemporary Print Portfolio; A Guide to Prices, New Editions and Sources, Bon A Tirer Publishers, pp. 80‑81, fall.

harp, Ellen Collaborations in Print. Stewart and Stewart Prints: 1980‑1990, Washtenaw Community College Foundation, Ann Arbor, MI, pp. 14‑17.

                          Leslie, Kenneth. Oil Pastel Materials and Techniques for Today's Artist,   Watson‑Kuptil Publications, NY pp. 9, 123.

Fine, Ruth E. The 1980's Prints From The Collection Of Joshua P. Smith. Exhibition Catalogue by Charles M. Ritchie with assistance from Thomas Coolsen, p.53 ,published by the National Gallery of Art, Washington, D.C.

 

1989                  "Susan Crile, Oculus." The Print Collector's Newsletter, Vol. XIX, No. 6 January‑February.

1988                  Huntington, Richard. "Freudenheim show brilliantly displays that paper has arrived." Gusto, 29 January.             

                          Langer, Cassandra. "Susan Crile." Arts Magazine, Summer.

                          Raynor, Vivien. "A Musical Theme Binds Together an Exhibition of Forty   Works." The New York Times, 4 December.

Raynor, Vivien. "A Visual Dialogue with the Chinese." The New York Times, 18 December.

 

1987                  Raynor, Vivien. "Susan Crile." The New York Times, 27 February.

                          Field, Richard and Ruth Fine. A Graphic Muse: Prints by Contemporary American Women. New York: Hudson Hills Press. Exhibition catalogue.

Clark, Marcia. The World is Round: Contemporary Panoramas. Yonkers, NY:

                          The Hudson River Museum. Exhibition catalogue.

 

1986                  Ackerman, Martin. Smart Money and Art: Investing in Fine Art. Barrytown, NY:    

                          Station Hill  Press. pp. 1980‑1985.

 

1985                  Brenson, Michael. "Luxe, Calme et Volupte." The New York Times, 4 January.

A Decade of Visual Arts at Princeton: Faculty 1975‑1985. Princeton: The Art Museum of Princeton University, 1985. Exhibition catalogue.

Bornstein, Benjamin. "Abstraction Continues to be Strong, Diverse." O & E Newspapers, Detroit, MI, 4 April.

                          Raynor, Vivian. "Susan Crile." The New York Times, 5 April.

                          Tamarind 25th Anniversary Exhibition. NY: Assoc.  American Artists.

                          Exhibition. cat.

                          Westfall, Stephen. "Susan Crile." Art in America, July.

                          Glueck, Grace. "Summer Yellows." The New York Times, 26 July.

                          Bass, Ruth. "Susan Crile." Art News, September.

 

1985                Dreikhausen, Margaret. Aerial Perception: The Earth As Seen From Aircraft and Spacecraft and Its Influence onContemporary Art. Philadelphia: Art Alliance Press.

Langer, Sandra. Susan Crile Recent Paintings. Graham Modern. Exhibition. Cat.    

 

1984                Frank, Elizabeth. Movable Light: Susan Crile's Recent Paintings. Cleveland: Cleveland Center for Contemporary Arts. Exhibition catalogue.

                          Johnson, Hillary. "Best Friends." Vogue, July, p.232.

  Komanecky, Michael and Fabbri Butera. The Folding Image. New Haven:  Yale University Press. Exhibition catalogue.

Langer, Sandra. Susan Crile: Recent Paintings. Graham Modern, Exhibition catalogue.

 

1983                  Glueck, Grace. "Art: A Revival of Recognition for Six." The New York Times, 28 January, p. C19.

Brodsky, Judith K. and Ofelia Garcia. Printed by Women. Philadelphia: The Print Club, p. 27. Exhibition catalogue.        

D'Amboise, Jacques, Hope Cooke, and Carolyn George. Teaching the Magic of Dance. New York: Simon and Schuster, p. 102.

                          Walker, Barry. The Artist as Printmaker, 23rd National Print Exhibition.      Brooklyn: Brooklyn Museum, p. 49. Exhibition catalogue.

 

1982                  Glueck, Grace. "The Screen Comes Into Its Own." The New York Times, 19 September, p. H27.

 

1981                  Baro, Gene. 22nd National Print Exhibition. Brooklyn: The Brooklyn    

                          Museum, pp. 6, 30‑31. Exhibition catalogue.

 

 

Phillips, Deborah C. "Susan Crile." Art News, Vol. 80, No. 7, September, p. 158.

Poling, Clark V. Geometric Abstraction: A New Generation. Boston: Institute of    

                          Contemporary Art, pp. 4, 8, 10. Exhibition catalogue.

 

1980                  Baro, Gene. American Drawing in Black and White :1970‑1980. Brooklyn: The Brooklyn Museum. Exhibition catalogue.

                          University of Rochester. Exhibition catalogue.

Coopersmith, Georgia. Contemporary Drawings and Watercolors. Rochester:         

Frank, Elizabeth. "Susan Crile: The Shapes of Change 1975‑1979." Bennington Review, No. 7, April, pp. 46‑59.

Michel, Jacques. "Artistes Americains pour 1980." Le Monde, 23 April, p.1.

                          Zimmer, William. "Susan Crile." SoHo Weekly News, 23 April, p. 60.

 

1980                  Kramer, Hilton. "Susan Crile." The New York Times, 2 May, p. C17.

Frank, Elizabeth. "Susan Crile at Droll Kolbert." Art in America, Volume 68, No. 8, October, p.130.

Huntington, Richard. "Good Painters Extant." Buffalo Courier‑Express, 26 October, pp. E1, E7.

Muffoletto, Robert. "Susan Crile's canvases inspire a double take." The Buffalo Evening News, 7 November, p.12.

1979                  Stevens, Mark. "The Restless Seventies." Newsweek. 26 March, p. 89.

                          Perreault, John. "Susan Crile." SoHo Weekly News, 27 September, p. 59.

Tennant, Donna. "Technique Preoccupies Painters in Lee Gallery Show." Houston Chronicle, 12 October.

Tennant, Donna. "Art and the Critical Dilemma of Content." Houston Chronicle, 28 October.

Crossley, Mimi. "'New American Painting,' 'Nature Morte' and Prints by Joan Myers." The Houston Post, 2 November, p. E16.

                          Foster, Hal. "A Tournament of Rose's." Artforum, Volume XVIII, No. 3,    November, pp. 62‑67.

                          Goldman, Judith. Print Publishing in America. Washington: United States    Information Service. Exhibition catalogue.

Rose, Barbara. American Painting of the Eighties: A Critical Interpretation

                          Vista Press.                          

 

1978                  Raynor, Vivien. "Susan Crile." The New York Times, 9 June, p. C17.

                          Schwartz, Ellen. "Susan Crile." Art News, September, p. 168.

Goldman, Judith. "Touching Moonlight." Art News, November, pp. 61‑65.

                          Lauterbach, Ann. "Susan Crile at Droll Kolbert." Art in America,            November/December, pp. 154‑155.

1977                  Glueck, Grace. "Susan Crile." The New York Times, 28 January, p. C16.

Cullinan, Helen. "Susan Crile Explores Space." Sunday Plain Dealer, Cleveland,

                          6 March, Section 5, p. 8.

                          Cardozo, Judith Lopez. "Susan Crile." Artforum, April, p. 66.

 

1976                  Seven Decades of MacDowell Artists. New York: The MacDowell Colony Inc. Exhibition catalogue.

                          Frackman, Noel. "Susan Crile." Arts, June, p. 5.

Hoesterey, Ingeborg. "New York by Ingeborg Hoesterey‑ Susan Crile." Art International‑ The Art Spectrum. Volume XIX/6, 15 June, pp. 75‑76.

                          Herrera, Hayden. "Susan Crile." Artforum, September,  p. 68.

Forgey, Benjamin. "Susan Crile." The Washington Star, 26 September, p.  E2.

Baker, Kenneth. "Susan Crile at Fischbach." Art in America, Volume 63 No. 5, September/October, p. 104.

 

1975                  Murphy, Polly Wollcott. "Miss Crile Finds a Modern Painter's Inspiration Here." Vineyard Gazette, 7 November, Section 1.

 

Baker, Kenneth. "Susan Crile: Abstracting the Image." Arts Magazine, Dec., pp. 54‑55.

Goldman, Judith. Susan Crile. Washington: The Phillips Collection. Exhibition

                          catalogue

Ratcliff, Carter. Hand Colored Prints. N.Y. : Brooke Alexander Inc. Exhibition

                          catalogue

 

1974                  Brant, Frederick R. Works on Paper. Richmond: Virginia Museum of Fine Arts.

Goldman, Judith. "Hand Colored Prints 1973" Art News Vol. 73, No. 1, Jan., p. 50

Nochlin, Linda. "Some Women Realists: Part 1." Arts Magazine, Vol. 48, No.5, February, pp. 46‑51.

                          Kelder, Diane  "Prints: Artists' Alterations." Art in America, Mar/April,

                          pp. 96‑97

                          Gruen, John. "Susan Crile." The SoHo Weekly News, June.

                          Russell, John. "Susan Crile." The New York Times, 1 June.

                          Herrera, Hayden. "Susan Crile." Art News, Volume 73 No. 7, September,    pp.100‑104.

Warrum, Richard L. Painting and Sculpture Today, Indianapolis Museum of Art and the Taft Museum. p. 111. Exhibition catalogue.

 

1973                  Baro, Gene. The Way of Color. Washington: Corcoran Gallery of Art, pp. 4‑5.  Exhibition. cat.

                          Crimp, Douglas. "Susan Crile." Art News, Summer, p. 101.

Forget, Benjamin. "The Biennial: Color as Poetry." The Sunday Star and The Washington Daily News, 25 February, pp. G1, G8.

                          Kramer, Hilton. "Susan Crile." The New York Times, 5 May.

Lippard, Lucy R. "Household Images in Art." Ms Magazine, March, pp. 22‑25.

                          Perreault, John. "Susan Crile." The Village Voice, 10 May.

                          Ratcliff, Carter. Hand Colored Prints. New York: Brooke Alexander Inc.

                          Exhibition catalogue.

Richard, Paul. "A Luscious Color Feast." Washington Post, 24 February, pp. D1‑3.

 

1972                  The Art Institute of Chicago Annual. Chicago: Art Institute of Chicago.    Exhibition. cat.

                          Baker, Kenneth. "Susan Crile." Artforum, June, p. 84.

Baur, John. 1972 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art. Exhibition catalogue.

                          Henry, Gerrit. "Susan Crile." Art News, Volume 71, No. 3, May, p.12.

                          Mellow, James R. "Susan Crile." The New York Times, 13 March.

Rose, Barbara. "Living the Loft Life." Vogue, Volume 160, No. 2, August, pp. 72‑75, 124.

Schjeldahl, Peter. "There's No Touchdown but Chalk Up Plenty of Yardage.",  The New York Times, 2 April.

Warrum, Richard L. Painting and Sculpture Today. Indianapolis: Indianapolis Museum of Art, p. 34. Exhibition catalogue.

Weales, Gerald. "Susan Crile." letter to the editor. The New York Times, 14 May, p. 24.

 

1971                  Elman, Richard. "Susan Crile." Craft Horizons, August, p. 43.

                          Kramer, Hilton. "Susan Crile." The New York Times, 20 March.

                          Pincus‑Witten, Robert. "Susan Crile." Artforum, May, p. 77.